Blue Velvet analysis

One of the greatest films ever that Roger Ebert didn't like! 

Blue Velvet by David Lynch: An analysis of the film

Blue Velvet is a 1986 murder mystery film by director David Lynch about a quiet suburban community whose dark secrets come to light with the discovery of a severed ear. The film stars Kyle McLachlan, Isabella Rossellini, Laura Dern, and Dennis Hopper. Blue Velvet received numerous accolades including a Best Director nomination for David Lynch and Best Director and Actor awards for Lynch and Dennis Hopper from the Los Angeles Film Critics Association. In this video, I will explore some of the key ideas in Blue Velvet to the best of my ability. Thanks for watching this video and I’d appreciate it if you will like this video and subscribe to my channel for more videos like this one. I’ll begin with the Closet. 

The closet

The closet in Dorothy’s apartment symbolizes the social and moral restrictions we impose on ourselves and restrictions that are imposed on us externally. From the closet looking out, Jeff is able to safely and privately act out his fantasies through Frank who gets off on deviant sex with Dorothy. The closet also represents the outsider’s perspective. To Jeff, Dorothy—from his side of the closet door—looks like a victim; this is how a woman being beaten by a man is perceived in his world. But when Jeff comes out of the closet and into Dorothy’s world, he learns that the world he sees from the closet isn’t black and white. That Dorothy is not a victim but that she is a willing participant. And this is also what turns Jeff on about her. Sandy is also limited by her subjective views of her world. To her, Jeff seems as normal and ordinary as the town of Lumberton until he comes out of the closet when Dorothy brings their secret relationship to the light. 

Dorothy making Jeff strip out of his clothes is also symbolic. His clothes, or outward appearance, is his image and how he wants to be seen by Sandy and others in the community. Dorothy getting him to strip out of his clothes is getting him to reveal who he really is, not only to society but to himself as well. In the perfect and narrow world of Lumberton, Jeff is restricted; but in Dorothy’s apartment where there are no taboos, he is free to be himself. Watching the sadistic things Frank does to Dorothy, he is actually, through Frank, acting out some of his own fantasies which is why he submits to Dorothy’s request to hit her. Their relationship is all about her getting him to come out of the closet, so to speak. 

Lumberton

Lumberton’s squeaky-clean appearance is a mask for drugs, murder, crooked cops, and perverts like Frank and Dorothy. And taking off the city’s mask also exposes Jeff’s secrets as well. But in order for Jeff to expose Lumberton’s secrets he has to let go of all of his inhibitions and the mores of the community he grew up in. Sandy represents this community and also why Jeff can’t reveal his secrets to her but can with Dorothy. This is also why he must go up to Dorothy’s apartment alone; if Sandy had gone up with him he wouldn’t have revealed himself as he does with Dorothy. He would have remained hidden and locked up within himself by the informal norms of his community. This point is demonstrated when Sandy sees Jeff and Dorothy together. He is ashamed and denies Dorothy’s claim that they are lovers.

Voyeurism

Voyeurism is watching and getting off from seeing others experience pleasure or pain. In Blue Velvet, Jeffery plays the role of a detective trying to solve a murder mystery, a mystery which is also tied to discovering things about himself. When Dorothy orders him to strip out of his clothes she is really telling him to let go of his inhibitions. This is why fear is such an important element of the film. What keeps us from expressing ourselves is what we think of other people’s opinions. This is why Jeff feels free to express himself in the privacy and safety of Dorothy’s apartment. This element of privacy and safety is also reinforced by the fact that Jeff sees her at night, night being a metaphor for not only mystery but also for secrecy which is why she calls him her ‘secret lover.’ 

Besides privacy, Dorothy helps Jeff come out of the closet by giving him 2 things, and those 2 things are the proper environment and consent. The 1st is her place which, in this film, seems like a totally different world than Lumberton and its restrictive norms. In her apartment it’s ok for Jeff to admit to things that are taboo in society. The second condition Dorothy provides for Jeff is consent by giving him permission to hit her. The commentary Blue Velvet makes is that we are only as good or as bad as the laws and norms allows us to be. This commentary is also the premise of 2 previous analyses I covered in the film Full Metal Jacket and the 1st episode of Mad Men. 

The 2nd half of Stanley Kubrick’s 1987 film ‘Full Metal Jacket’ follows a group of soldiers who are liberated by the battlefield of the Vietnam War and revel in killing. In the 1st episode of Mad Men, bad behavior on the part of White men is proper behavior in the confines of the striptease bar. 

These are some of my thoughts on David Lynch’s 1986 film Blue Velvet.