Tuesday, January 10, 2017

Taxi Driver: a perspective

Taxi Driver's Robert De Niro


The character arc in this story goes from New York Cabbie Travis Bickle (Robert DeNiro)--a socially inept, angry white male, seeking self-gratification in the form of love--hating society, to planning to kill a lying politician, to wanting to see his neighborhood “flushed down the toilet.” Then coming around full-circle to what he did as a Marine for his country and risking his life for others, in this case, the child-prostitute named Iris played by Jodie Foster.  

Travis Bickle and Iris are one and the same, both flawed but at the same time redeemable. Out of all of his faults—he loves watching pornographic movies and he’s also a racist, there is something basically good about him that compels him to rescue Iris and this is what Betsy discovers when he becomes a hero for doing so. The fact that Iris’ character is a child prostitute also suggests that Travis’ faults are innocent faults because he hasn’t been exposed to anything else by which to judge the things he does or thinks as good or bad. But at the end of the film he is vindicated because he becomes aware through his experiences with Iris that he isn’t a bad guy taking the good with the bad and that as dark and filthy as the world seems there is something in it worth saving.  

Overstimulated: A perspective of the film 'Network'


Summary

This is a behind the scenes look at the Howard Beale show from the movie Network directed by Sydney Lumet. The employees all seem indifferent and going through the motions. The station has been getting bad ratings and Howard Beale’s announcement that he’s going to commit suicide on the air gives the station a big boost in ratings. 

Analysis

The people behind the scenes producing this show is how our society is today:

  • bored 
  • overstimulated (as represented by the many monitors)
  • distracted -- It takes something sensational and violent like suicide to get people’s attention

This scene also shows the transition from news to sensationalism in how Howard Beales’ falling ratings get a big boost when he announces his suicide on live television. Even today anything that’s lurid or controversial goes into a 24 hour cycle where everything else is ignored for the sake of that 1 news item. These events play on every channel until the next big news--big ratings draw-- replaces it (The cops shot in Dallas and Baton Rouge, black men killed by cops in routine traffic stops, OJ, etc.).

Pre-suicide Howard Beale (here played by Peter Finch) represents traditional straight-down-the-line news. After he announces his suicide on the air, he is “born again” and transformed into the spokesman for society’s popular rage (Donald Trump) and the champion of the individual.